2021 - 2022 Season Fall Performance
The Messiah, George Frideric Handel
November 27 at The Cathedral of the Immaculate Conception
Box Office Opens at 6:00 PM
Concert Begins at 7:30 PM
$15 per Ticket

About the Music: Messiah is an English-language oratorio composed in 1741 by George Frideric Handel, with a scriptural text compiled by Charles Jennens from the King James Bible, and from the Coverdale Psalter, the version of the Psalms included with the Book of Common Prayer. It was first performed in Dublin on 13 April 1742 and received its London premiere nearly a year later.

In Christian theology, the Messiah is the saviour of humankind. The Messiah who is called Christ, is identified with the person of Jesus, known by his followers as the Christ or "Jesus Christ". Handel's Messiah has been described by the early-music scholar Richard Luckett as "a commentary on [Jesus Christ's] Nativity, Passion, Resurrection and Ascension", beginning with God's promises as spoken by the prophets and ending with Christ's glorification in heaven. In contrast with most of Handel's oratorios, the singers in Messiah do not assume dramatic roles; there is no single, dominant narrative voice; and very little use is made of quoted speech. In his libretto, Jennens's intention was not to dramatise the life and teachings of Jesus, but to acclaim the "Mystery of Godliness", using a compilation of extracts from the Authorized (King James) Version of the Bible, and from the Psalms included in the 1662 Anglican Book of Common Prayer.

Cathedral-of-the-Immaculate-Conception-S

About the Venue:The cathedral was built and consecrated under the leadership of James Aloysius Griffin, fourth bishop of the diocese - but the first bishop to be based in Illinois' capital city of Springfield as the diocese was previously seated in Quincy, Illinois, then Alton, Illinois).

The cathedral complex is faced with Kasota limestone, also called "Mankato Kasota stone," a golden limestone quarried in Mankato, Minnesota. Like many cathedral complexes, it also contains working space for the bishop and staff. An elementary school building forms the southern component of the complex. The cathedral itself is consecrated to the doctrine of the Immaculate Conception of the Virgin Mary, and is under the patronage of the Blessed Mother.

The cathedral is the second building in Springfield to be consecrated to the Immaculate Conception, the first being a Catholic church in use from 1858 until 1928. When the seat of the diocese moved to Springfield in 1923, it needed a larger structure to serve as cathedral. After completion of the cathedral, the nearby Lincoln-era church was de-consecrated and demolished. The Cathedral of the Immaculate Conception is the seat of the Catholic Diocese of Springfield in Illinois. The cathedral, for which the cornerstone was laid on August 14, 1927, was dedicated on October 14, 1928. The cathedral complex is built in a modified Greek Revival architectural style.

Concert Guidelines

Tickets

At the 5th street Main entrance, cash only

At the 4th street Atrium entrance, credit/debit cards accepted

Masks

Required for singers

Requested for concert-goers

2021 - 2022 Season Spring Concert
Requiem, John Rutter
May 21

About the Music:

John Rutter's Requiem is a musical setting of parts of the Latin Requiem with added psalms and biblical verses in English, completed in 1985. It is scored for soprano, mixed choir and orchestra or chamber ensemble.

Five of its seven movements are based on text from the Latin Requiem Mass, while the second movement is a setting of "Out of the deep" (Psalm 130) and the sixth movement is an anthem The Lord is my Shepherd (Psalm 23) which Rutter had earlier written. The first movement combines the Introit and Kyrie, the third is Pie Jesu, with soprano solo. The central movement is a lively Sanctus, followed by Agnus Dei and finally Lux aeterna. In the Agnus Dei and Lux aeterna, Rutter combines the liturgical Latin text with English biblical verses.

Four of the movements of the Requiem were first performed at Fremont Presbyterian Church, Sacramento, California, on 14 March 1985. The first performance of the complete work was at Lovers' Lane United Methodist Church, Dallas, Texas, on 13 October 1985. It was published in 1986 by Oxford University Press.

Rutter completed his Requiem in 1985. It bears the dedication "in memoriam L. F. R.", John Rutter's father, who had died the previous year.

He conducted the first performance on 13 October 1985 at Lovers' Lane United Methodist Church, Dallas, Texas, where the director of Music Allen Pote prepared the Sanctuary Choir and orchestra. The soprano soloist was Karen Shafer. Movements 1, 2, 4, and 7 had been performed on 14 March 1985 at Fremont Presbyterian Church, Sacramento, California, by the Sanctuary Choir and ensemble, prepared by Mel Olson and also conducted by the composer.

The Requiem was published in 1986 by Oxford University Press, with a singable English text also for the Latin passages.